Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Details
• 6 × 6 inches
• Acrylic, graphite, and ink on wood panel
• ¾" depth
• Satin varnish
• Ready to hang with sawtooth hardware
• Signed on the front and back
Where Light Presses In explores the quiet moment when tension gives way, not through force, but through persistence. Layers of muted gray and deep charcoal are interrupted by passages of teal and warm ochre, suggesting light not as spectacle, but as presence: steady, intentional, and close.
Marks are built and partially erased, allowing earlier gestures to remain visible beneath the surface. The composition holds a sense of compression and release, inviting the viewer to linger in the space where contrast meets softness, and where illumination arrives gently rather than all at once.
This intimate work is finished with a satin varnish that protects the surface while preserving the subtle texture and matte quality of the mixed media layers.
Details
• 6 × 6 inches
• Acrylic, graphite, and ink on wood panel
• ¾" depth
• Satin varnish
• Ready to hang with sawtooth hardware
• Signed on the front and back
Where Light Presses In explores the quiet moment when tension gives way, not through force, but through persistence. Layers of muted gray and deep charcoal are interrupted by passages of teal and warm ochre, suggesting light not as spectacle, but as presence: steady, intentional, and close.
Marks are built and partially erased, allowing earlier gestures to remain visible beneath the surface. The composition holds a sense of compression and release, inviting the viewer to linger in the space where contrast meets softness, and where illumination arrives gently rather than all at once.
This intimate work is finished with a satin varnish that protects the surface while preserving the subtle texture and matte quality of the mixed media layers.