Details:
from the What Emerges series
8 × 8 in
Paper mounted on wood panel
1.5" gallery depth
Acrylic, oil pastel, graphite
Satin varnish
Sawtooth hanger
Signed on the front and verso
Held in Plain Sight considers what remains visible even when overlooked. Layered grays and deep charcoal tones are interrupted by softened whites and restrained warmth, creating a field where marks surface quietly rather than assert themselves. Gestural lines and partially veiled forms suggest presence without declaration, something known but not immediately named.
As part of the What Emerges series, this piece reflects on attention and recognition: the slow noticing that allows meaning to rise from what has always been there. The work invites contemplation, rewarding those willing to linger with a sense of quiet clarity.
Details:
from the What Emerges series
8 × 8 in
Paper mounted on wood panel
1.5" gallery depth
Acrylic, oil pastel, graphite
Satin varnish
Sawtooth hanger
Signed on the front and verso
Held in Plain Sight considers what remains visible even when overlooked. Layered grays and deep charcoal tones are interrupted by softened whites and restrained warmth, creating a field where marks surface quietly rather than assert themselves. Gestural lines and partially veiled forms suggest presence without declaration, something known but not immediately named.
As part of the What Emerges series, this piece reflects on attention and recognition: the slow noticing that allows meaning to rise from what has always been there. The work invites contemplation, rewarding those willing to linger with a sense of quiet clarity.
