Practice, 8x8 abstract mixed media painting on wood by Adrianne Johnson, featuring layered collage, acrylic, and pastel with muted blue, rust, ochre, and charcoal tones.
Practice, 8x8 abstract mixed media painting on wood by Adrianne Johnson, featuring layered collage, acrylic, and pastel with muted blue, rust, ochre, and charcoal tones.
Practice, 8x8 abstract mixed media painting on wood by Adrianne Johnson, featuring layered collage, acrylic, and pastel with muted blue, rust, ochre, and charcoal tones.
Practice, 8x8 abstract mixed media painting on wood by Adrianne Johnson, featuring layered collage, acrylic, and pastel with muted blue, rust, ochre, and charcoal tones.

Practice

$195.00

Details:
8 × 8 inches
Mixed media on wood
Collage, acrylic, pastel
1.5 inch gallery depth
Sawtooth for hanging
Satin varnish
Signed on front and verso

Practice is an exploration of presence through repetition, curiosity, and play. Rather than aiming for resolution, the work stays with the act of making itself—testing, layering, responding. Collaged elements anchor the surface while loose fields of color and mark-making shift around them, creating a quiet tension between intention and spontaneity.

The composition holds space for experimentation without urgency. Gestural strokes and softened edges suggest movement and pause in equal measure, inviting the viewer to slow down and notice what emerges when attention is given without demand. Finished with a satin varnish, the surface preserves the tactile quality of the materials while maintaining a gentle, understated finish.

Practice is for collectors drawn to work that values process as much as outcome—an intimate piece that reflects the discipline of showing up, again and again, to what is happening now.

Details:
8 × 8 inches
Mixed media on wood
Collage, acrylic, pastel
1.5 inch gallery depth
Sawtooth for hanging
Satin varnish
Signed on front and verso

Practice is an exploration of presence through repetition, curiosity, and play. Rather than aiming for resolution, the work stays with the act of making itself—testing, layering, responding. Collaged elements anchor the surface while loose fields of color and mark-making shift around them, creating a quiet tension between intention and spontaneity.

The composition holds space for experimentation without urgency. Gestural strokes and softened edges suggest movement and pause in equal measure, inviting the viewer to slow down and notice what emerges when attention is given without demand. Finished with a satin varnish, the surface preserves the tactile quality of the materials while maintaining a gentle, understated finish.

Practice is for collectors drawn to work that values process as much as outcome—an intimate piece that reflects the discipline of showing up, again and again, to what is happening now.